Artificial Intelligence in Musical Instrument Learning: A Structured Review of Audio Signal Processing, Computer Vision, and Personalized Feedback
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Abstract
Artificial intelligence (AI) is increasingly used to support learners who practise a musical instrument without a teacher present. This structured narrative review examines how audio signal processing, computer vision, and their combination are used to assess instrumental performance, and how the resulting assessments are turned into personalized feedback. Literature was identified through Google Scholar and publisher databases, the ISMIR and NIME proceedings archives, and backward and forward citation chasing, with a final search in October 2026; 45 sources were retained and synthesized thematically against six research questions. Audio methods for monophonic pitch and onset estimation are mature and well benchmarked, whereas polyphonic transcription and guitar-specific string–fret estimation remain difficult. Camera-based hand-landmark tracking is now accessible on consumer devices, but landmarks do not by themselves establish correct fingering; instrument-specific studies remain small and are rarely tested outside the laboratory. Audio–visual fusion is promising because each modality resolves ambiguities in the other, yet few studies compare fused and single-modality systems on identical test material. Evidence on learning outcomes is thinner still: most systems report technical accuracy, and only a handful report controlled learner studies. The review closes with an evaluation framework that separates technical, pedagogical, and usability claims, and applies it to VIBEX, a guitar-focused learning platform under development by the authors.
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